
,Jordan Smith
Designing rooms for low northern light
In Helsinki the winter sun barely clears the rooftops. Here is how we plan rooms that still feel bright from November to February.

Not every flaw needs fixing. Notes from a stone house renovation on knowing when to stop.

Founder, interior architect
Published
When we opened up the walls in an old stone house last year, we found three layers of history: limewash, a pale pink paint and the original clay. The builders wanted to skim it all smooth. We asked them to stop.
Before any drawing, we walk the rooms with the owners and mark what we want to keep: a worn floor, an old niche, a patch of wall. Those become the fixed points the new design works around.
We fix what is failing and leave what is simply old. A crack that moves gets repaired. A crack that has been there for a century gets a coat of limewash and stays.
Next to old walls we use simple, honest pieces: a solid wood side table, plain linen, a stone floor relaid with its original slabs. Nothing pretends to be older than it is.
The hardest part of a renovation is the last ten percent. Often the best decision is to leave a wall exactly as you found it.

,Jordan Smith
In Helsinki the winter sun barely clears the rooftops. Here is how we plan rooms that still feel bright from November to February.

,Sofia Ramirez
It cracks, it marks and it changes colour with the weather. It is also the finish our clients ask us about most.

,Sofia Ramirez
You will sit on it every day for twenty years. Here is the short list of checks every chair has to pass before it reaches a client.