
,Sofia Ramirez
Lime plaster, and why we keep coming back to it
It cracks, it marks and it changes colour with the weather. It is also the finish our clients ask us about most.

In Helsinki the winter sun barely clears the rooftops. Here is how we plan rooms that still feel bright from November to February.

Founder, interior architect
Published
From November to February the sun in Helsinki stays low and leaves early. A room that looks perfect in a June viewing can feel grey for four months of the year. So we always visit a space twice: once in daylight, once after dark.
We place the rooms people use most in the morning on the side that gets the first light, even if the floor plan says otherwise. A kitchen that catches sun at eight is worth more than a perfect layout.
Bright white walls turn blue and cold in winter. We use warm off-whites, lime plaster and pale oak, which bounce light back without looking clinical.
Ceiling downlights flatten a room. We plan most lighting below eye level: table lamps, wall lights and a few low pendants, so evenings feel warm instead of lit.
Sheer linen lets the low sun in and softens it. Heavy curtains we keep for bedrooms only.

,Sofia Ramirez
It cracks, it marks and it changes colour with the weather. It is also the finish our clients ask us about most.

,Sofia Ramirez
You will sit on it every day for twenty years. Here is the short list of checks every chair has to pass before it reaches a client.

,Jordan Smith
Not every flaw needs fixing. Notes from a stone house renovation on knowing when to stop.